If there is a filmmaker who embodies the so-called New Chilean Cinema, it is Aldo Francia. Although he was the author of a short filmography of only two finished films, Valparaíso mi amor (1969) and Ya no basta con rezar (1972), France understood cinema from the first moment as a collective action and his individual authorship always remained in the background with respect to his most beloved creation: the Viña del Mar Film Festival.
Career Signature0 — 100
How Aldo Francia’s filmography reads.
Five of Perfery’s 75 vibes, averaged across every film they acted in.
